Tip of the Week

Feet at more than shoulder width.

The Technique of Zhang Jike

There was a nice posting recently at mytabletennis.com by "blahness" that linked to numerous videos of World Men's Singles Champion Zhang Jike of China, highlighting his many techniques. Here are those links - to see blahness's own excellent commentary, see the link above.

• Forehands and backhands
• Forehands and backhands from mid-distance
• Backhand and forehand training with Xu Xin
• Warming up with Wang Hao
• Looping against backspin
• Forehand loop against backspin
• Serve and receive practice with Xu Xin
• Third-ball attack practice with Liu Guoliang
• Match with Germany's Bastian Steger
• Warming up with Xu Xin, mostly serve and receive
• Reverse pendulum serve
• Backhand over-the-table loop against a short ball

Good coaches and bad coaches

Looping versus Hitting

The advantage goes to looping, at least at the higher levels. But everyone's different, and below world-class levels there are many hitters who eat loopers for breakfast. 

The advantages of looping versus hitting

1. The extreme topspin in a loop pulls the ball down, so you can keep the ball in play at high speeds and effectively attack even low balls.
2. The topspin makes the ball bounce low and fast on the table, making it hard for the opponent to handle it.
3. The topspin jumps up off the opponent's racket, making it tricky to keep on the table and low.
4. Because you can loop the ball on the drop, you have more time to get into position for the shot, and so can loop over and over more easily than hitting over and over.
5. A looper can often turn a hitter into a blocker.
6. Because the ball jumps off the table and then sails downward, it's difficult to block or counter a loop effectively from off the table unless you are advanced enough to counterloop. To make an effective return, you generally have to stay at the table and block the ball off the bounce. Against a fast incoming ball, you have little time to react. Against a hitter, you can take a half step back to give yourself more time. Against a looper, that rarely works.

The advantages of hitting versus looping

1. It's a quicker stroke.
2. It's easier to learn.
3. A hitter can often turn a looper into a lobber.
4. You can generally create more speed since all of your power is going into speed.

The 2011 U.S. Table Tennis Hall of Fame Inductees

Playing Style and Identity

Yesterday, "R8ng_stinks" posted on the subject of a player's "identity":

"I've been curious about this subject for quite awhile.  When I started playing a few years ago I simply tried to keep the ball on the table.  The best solution, I found, was to glue the ball to the table.  Okay...that really didn't allow play to flow very well.  I played aggressively, had very little control, then moved to a somewhat defensive style.  While trying that, I became aggressively defensive, which, depending on the situation, was not all bad.  But then passive mistakes started killing me.  I switched to an offensive style with slower inverted rubber, but still had control issues and then wanted to "baby" the ball in certain situations.  Control: ZERO.  Passive mistakes seemed burned into my long and short-term memory.  So I dumped the inverted and moved to short pips forehand and backhand.  I have plenty of speed and enough spin, and I can get defensive when necessary.  I'm still a below-average player, but my lack of skill is mostly due to my current inability to maintain focus and mental control."

Then he asked:

"To make a L   O   N   G story short, does a player really need to have an "identity", offensive or defensive?  How about "can't decide," or "I have no idea"?  Does the style define the player, or does the player define the style?  Does it matter at all, as long as the play is effective?"

Secrets of the Quick Push and Punch Block

The quick push is where you push rather aggressively and quick off the bounce. A punch block is where you block rather aggressively and quick off the bounce. See the similarities? But it goes beyond that. In both cases, you use a short stroke; angle the ball or go at the opponent's elbow; make last-minute changes of direction to throw off an opponent; go deep on the table; keep the ball low; and focus on quickness and consistency. The shots are meant to force a weak return or miss. Many players are so focused on attacking that they never learn these more subtle but valuable shots. Placement is especially key - so many pushes and blocks go to the middle forehand or backhand that it's a crime. Or the shots are so passive that they put no pressure on the opponent, when of course every shot in table tennis should put pressure on your opponent in some way. Placement, depth, height, quickness, speed - these are all elements that make the shots effective. (The key differences are that when pushing, you also have backspin as a weapon, and can both load up the spin or vary it, and that when punch blocking, you can also use speed as a weapon.)

Match Analysis

Here's a video from the last World Championships between William Henzell of Australia (world #152) and Adrien Mattenet of France (world #31), with Henzell giving tactical commentary (10:25). Here's your chance to see how world-class players think tactically. Do you agree with his analysis? (Note - after posting this, I discovered that this was the same one I posted in my blog on Sept. 7. Oops. But enjoy it again!)

William's Journey to the Olympics

The Brad Pitt Story - the Truth, the Whole Truth, and Nothing But the Truth

Yesterday I blogged about the upcoming move, Brad Pitt To Star In Film Adaptation Of "Table Tennis Tales and Techniques." It was all fake - but I didn't do it! I just played along.

Late on Sunday night I received an email from Richard McAfee, who had been table tennis surfing the net and found the story in The Daily Quarterly. I had no advance knowledge of this, and didn't know about it until I received Richard's email. Now readers, brace yourselves - The Daily Quarterly is a satirical website, like The Onion. Click on the "About" section at the top, and it says, "And for the few of you who found your way onto this site by chance, or couldn’t already tell, be advised: This is ALL SATIRE. Honest. If you have no sense of humor, you are wasting your time here." And just below that, it says, "Did we mention this is a SATIRICAL SITE?"

So no Brad Pitt movie. No great exposure for table tennis. No $3.5 million for me. Sigh. But I still love the poster. 

Tip of the Week

You must attack those steady deep backspin serve returns.

Brad Pitt To Star In Film Adaptation Of "Table Tennis Tales and Techniques"

Now it can be told!!! Here's the opening line of the article: "In a casting coup, Paramount confirmed that Brad Pitt, star of 'Thelma and Louise' and 'True Romance,' will star in next year’s film adaptation of 'Table Tennis Tales and Techniques.'" Here's the promotional poster they already created. (I had nothing to do with creating this.)

I've been dying to post about this for weeks, ever since negotiations began for the rights to my book, and yes, Brad Pitt will star in this adaptation as, ahem, me. (And as the article mentions, I made quite a bit of money from this deal.) This breaking news should be all over the Internet within a day or so. 

This will probably give U.S. table tennis the largest exposure in its history. Oh, and tonight I'm having dinner with Brad Pitt!!! (I think he wants to study how I talk and my mannerisms.) One other bit of hopefully soon-to-be-breaking news - Ron Howard has unofficially agreed to direct. (And here's where you go if you'd like to buy a copy of Table Tennis Tales and Techniques.)

Visual tools are the best tools

The Falkenberg, 2-1, and Backhand-Forehand-Forehand drills

Okay, these are all names for the same drill. It was made popular at the Falkenberg club in Sweden by 1971 World Men's Singles Champion Stellan Bengsston. It's almost for certain the most popular footwork drill in the world among top players because it covers the three most common footwork moves in table tennis - cover the wide forehand, cover the wide backhand, and step around forehand from the backhand corner. How do you do the drill?

Your partner hits two balls to your backhand, then one to your forehand. You take the first with your backhand. You step around and take the second with your forehand. Then you move to the wide forehand and take that with your forehand. Then repeat.

There are many variations. You can start the drill off backspin with a loop, then continue. You can either hit or loop the forehands or backhands. You can do the drill to your partner's backhand or forehand. You can have free play after a certain number of repetitions, such as after three (nine shots). Or use your own imagination and make something up. Or just use the basic standby, as described above, as most do.

Here are four new articles/videos from PingSkills

My books

It has come to my attention that some of you have not yet bought copies of my books. Buy a copy of my book today or I will choke this coach to death.

• Table Tennis Tales & Techniques
• Table Tennis Steps to Success
• Pings & Pongs: The Best Science Fiction & Fantasy of Larry Hodges

The hard-soft drill

One of the best drills for developing a forehand or backhand smash is the hard-soft drill. (It really should be called the hard-medium drill, but that doesn't have quite the same ring.) On the backhand side, you just go backhand to backhand, with one player playing steady, and the other alternating between an aggressive ("medium") drive and a smash or near-smash ("hard"). You do the same on the forehand side. This leads to much longer and more consistent rallies than if one player just smashes every ball, plus the attacking player learns to hit at different paces. It's also a great control drill for the steady player, who learns to react to the different paces rather than just stick his racket out and blocking the same ball over and over. Note that you can also do this drill for looping.

The backhand loop in front of the body

The most under-used serves

Do you see a pattern?

• The most under-used short serve: no-spin to the middle. This cuts off the wide angles, is difficult to push heavy or push short, and if served low (very important), is tricky to flip aggressively. The opponent has to make a split-second decision on whether to return it forehand or backhand, which is sometimes awkward even against a slow, short serve. It is especially effective if mixed in with backspin serves. Ideally serve so the second bounce, if given the chance, would bounce just short of the end-line.
• The most under-used deep serve: fast no-spin to the middle (opponent's elbow). This is the receiver's transition point, and if you serve fast there, he has little time to react. By serving a dead ball - actually a light backspin so it's dead when it reaches the receiver after two bounces - the opponent has to generate his own power while rushing. Result? Mistakes galore. If used two or three times a game, this is a free point about half the time against players rated under 2000, and it can be pretty effective against stronger players as well. It's best used against someone who receives both forehand or backhand. Don't use it too often against a forehand player who is looking to loop the serve - against this player serve fast to the corners.

Doing the journey and heavy backspin

How's your backhand?

You need to dominate with your backhand as well as your forehand, and you can't do that unless you have a (drum roll please) dominating backhand. There are basically five ways you can do this. Which are you? Or which are you striving for? You can - and should - be able to threaten your opponent with more than one of these.

• Backhand block, where you take every ball quick off the bounce and hit at wide angles and to the opponent's middle, rushing him into mistakes. You can do this either as a "wall" who tries to never miss, or as a more aggress "jab-blocker." This requires fast reflexes. 
• Backhand counter-hitting, where you get into fast counter-hitting rallies and keep hitting hard and consistently until the opponent misses. This requires fast reflexes and timing.
• Backhand hit and smash, where you mostly take the ball at the top of the bounce and hit most shots very hard, often threatening to kill every shot. This requires great timing.
• Backhand loop from off the table, where you control play with heavy topspin from a few feet off the table. Some do this very aggressively, others with a slower, spinnier loop. This requires very good positional footwork, both side to side and in and out.
• Backhand loop over the table, where you take the ball right off the bounce, over the table, with quick backhand loops that the opponent struggles to react to. This requires great timing.

Wang Liqin's forehand and recovery