Peter Li

Imagine a country that has an 18-year-old National Men's Singles Champion. Suppose that country decides to fund four players to the World Championships. You'd think that winning that Men's Singles title would automatically qualify you for the team. Right? Wrong.

That's the story of Peter Li, who won Men's Singles at the USA Nationals a little over two months ago in December when he was 18. However, at the USA Team Trials (just after turning 19), he finished in a four-way tie for second place with a record of 8-3. But after the tie-breaker (going to matches and games among those tied), he finished in fifth place, just missing the top four. He was then offered the fifth spot as an unfunded position, meaning he would have to pay his own way to the worlds. His family is already spending over $10,000/year on his training, and simply couldn't afford to pay more. And so he will not be going to the Worlds, and will not gain the experience he would get there.

Can anyone imagine this happening in any serious table tennis country? I don't think there are very many countries that fund teams to the Worlds that would not fund a teenaged National Men's or Women's Singles Champion.  

There's little chance USATT will change their procedures for this Worlds. The question is if they will look at the result of their procedure, and ask themselves if that procedure is really getting them the best result. Perhaps anyone winning or making the final of Men's and Women's Singles at the Nationals should automatically qualify. (Conflict of interest note - Peter developed at MDTTC, my club, and still trains and coaches part-time there on weekends.) 

Hit the ball harder!

Sol Schiff RIP

Sad news. "Mr. Table Tennis," Hall of Famer Sol Schiff, died yesterday at age 94. He was the 1934 U.S. Open Men's Singles Champion, the 1938 World Men's Doubles Champion (with Jimmy McClure), and a member of the 1937 World Men's Team Champion (the only time the U.S. ever won the title). He also served as USTTA (now USATT) president for many years. Here's his USA Table Tennis Hall of Fame profile. (It's only "Part 1" - hopefully Tim Boggan will write Part 2 at some point.) Note - A number of reports incorrectly have him as being 95, but he was born on June 28, 1917, passed away on February 26, 2012, and so wouldn't have turned 95 until June 28. 

Leap Day

In honor of Leap Day, go practice your footwork. Or at least read about footwork - here are five articles I've written on footwork that you may browse while lounging in a chair sipping diet coke.

• Stepping Around the Backhand Corner
• Are You Backhand Oriented?
• A Forehand Stance While Blocking
• Are You a Tree or a Squirrel?
• Balance Leads to Feet-first Footwork

The one time I was faulted

As promised last week, here is the story of the only time my serve was ever faulted in a tournament.

Tim Arrives

Yes, that's Tim Boggan, USATT Historian and past president, and, well, just about everything else. (Here's his short bio, his USATT Hall of Fame bio, and here's my long 1996 interview with him, with pictures.) As some of you may know, he's been writing a comprehensive History of U.S. Table Tennis, with eleven volumes published, and number twelve just written. Every year about this time he makes the drive from New York to Maryland and moves in with me for two weeks, sleeping on my sofa, and spending the day looking over my shoulder as I lay out the pages and do photo work for the next volume, with each book about 500 pages. ("No, it goes there, you fool!" he'll say as he smacks me with a hardbat.) Here's the page I maintain for him on his books. It's going to be a busy two weeks as we work from roughly 7AM (he's a morning person) until 5PM or so (he lets me have a lunch break), and then I run off to the club to coach.

Arm update

As mentioned in my blog yesterday, I hurt my arm over the weekend. It was still bothering me yesterday, but mostly when I played fast. I was hitting mostly with beginning-intermediate players, and mostly just blocked, so it wasn't too bad. I'm a little worried about what'll happen when I hit with stronger players, as I will in my sessions tonight. We'll see.

Topspin on the Backhand

Tip of the Week

Opening Up the Forehand Zone.

Opening Up the Forehand Zone, Part II

The following happened on Saturday night - and I swear it happened after I wrote this week's Tip of the Week. (And now you know what I do on Saturday nights.)

I had a new student, around age 40, with some serious technique problems. His level was somewhere under 1000 in USATT ratings. He'd had a few lessons before at another club, but things hadn't gone well there. As soon as we started hitting forehand to forehand, you could see he had a serious problem with his grip, which seemed to lead to an awkward forehand. His finger pointed upward on the blade, his wrist fell backward, and he more or less punched at the ball in front of him instead of from the side. The obvious and easiest solution was to fix his grip, and then work on the stroke. And that's exactly what others had tried to get him to do. It hadn't worked.

At the USATT coaching seminar I taught last year I regularly harped on the idea of fixing the root cause of problems, not the symptoms. And that's what others had tried to do - the grip wasn't the cause of his problems, it was a symptom of the root cause, which was that he was playing his forehand with a backhand stance, feet parallel to the table, with little waist or shoulder rotation. He was only using about the front one-fourth of his forehand hitting zone, while facing forward. This forced him to adjust his grip to compensate. It took only a few minutes to fix the problem in practice: move the right (back) foot back some, rotate the waist and shoulders, and contact the ball toward the middle of the hitting zone. The key was to start out by hitting forehand to forehand very slowly, focusing on proper technique and timing, until the stroke became ingrained enough to speed up some.

Service fault controversies

Over the past 14 months (and many tournaments) I've been involved in six specific incidents involving hidden serves. Five different times I've called for umpires or complained to umpires about opponents hiding their serves against a player I was coaching. Each case became a controversy as either the umpire wouldn't call the hidden serve, or if they did, and the opponent (or his coach or others in his contingent) became quite unhappy. In the other case where I complained about a fault on my player, an umpire simply got the rules wrong and faulted my player incorrectly for hiding a serve that clearly wasn't hidden. (Just for the record - players I coach were also correctly faulted several times along the way. Only that one time did I complained about a service fault called against a player I coached.)

Other than unhappy people, what's the one thing each case had in common? In every case I was right about the serve, as shown by video and photo sequences taken from the video. (I'm not going to fan the flames by publishing them, but if you were directly involved in one of these hidden serve controversies, feel free to email me and I'll show you the video and photo sequences.)

This isn't bragging. It's rather easy to see if a serve is hidden or not from the sidelines behind the players, where the coach sits, far easier than it is for the umpire off to the side. It's not a matter of being able to tell if the serve is hidden; it's a matter of choosing to speak up rather than let the opponent have the advantage of illegally hiding their serve. Some think a player or coach should just live with the disadvantage of having to face hidden serves, but I just don't buy that.

Topspin on the backhand

One of the junior players I coach has been struggling to put topspin on his backhand. They all come out either totally flat (i.e. spinless) or even with slight backspin. This greatly hampers the pace at which he can rally consistently.

I'd tried for weeks to get him to put a little topspin on the shot, but nothing seemed to work. I had him exaggerate the rolling motion, almost like a mini-loop. I had him watch top players as they hit their backhands. I guided him through the stroke. But as soon as we went to rallying, he'd be back to his super-flat stroke.

Yesterday I tried something new and yet simple. I told him to just take the ball right off the bounce, with the racket at table level, and perpendicular to the table. At contact, I told him to lift the ball up over the net. It seemed so simple, and was nearly the same as the way I'd guided him through the stroke, and yet it worked - the rest of the session his backhand had that light topspin needed to control the ball. (Occasionally he'd fall into his old habits, but I'd remind him, and he'd go back to doing it properly.) He said it was the different sound of the contact that he was trying to match each time. Hopefully he'll still have this better backhand when he comes in to play this weekend, and at our next private session next week.

Determination

Why good serves and steadiness go together

Many players believe that good serves and an attacking game go together. It makes sense - the good serves set up the attacking game. But I'd argue that good serves work even better if you have a control game. Why is this?

Suppose your good serves set you up to attack effectively against your peers two-thirds of the time. Then one-third of the time when you serve you are stuck not opening with a strong attack. On the other guy's serve you are also forced to start the rally playing more control as you look for a ball to attack. This means that you are starting out about one-third of the time using your strong attack, and stuck on the rest of the points. (Yes, you could attack the serve, but if the opponent is a peer, you shouldn't be able to attack his serve that strongly.)

Now let's suppose you have a control game. Even if you are a control player, those good serves are going to set you up for some easy putaways. Let's suppose you can do this one-third of the time when you serve. Plus you are able to play control on the other guy's serve 100% of the time. Result? You get to serve and attack easy balls one-sixth of the time, and play your control game the rest of the way. With the free spot from the good serves that set you up for some easy points, you should be able to win with control the rest of the way, if that's your game. (Plus the good serves will set the control player up to attack more and more, and so he'll develop his attack.) 

This doesn't mean everyone should become a control player. It means everyone should develop both control and attack. When people watch top players, they see the obvious attacking ability, but not as many notice how much ball control they have.

MDTTC webpage

On the Talent vs. Training Debate....

After 10,000 hours of systematic training with the world's best coaches, this lizard has learned how to nail its prey.

Now, before you jump to a conclusion on what I believe based on my lizard example, let me be clear: I consider innate talent to be at most just a small aspect of what it takes to be a great player. Early on, talent helps tremendously, but as you move up the spectrum, hard work, coaching, and a good training environment pay off far more. (Also, it doesn't help to talk to students about talent, since they have no control over it. Those who don't believe in talent probably have an advantage over others as they aren't held back by doubts about their own innate "talent.")

But to argue absolutely that we all start with the exact same brain hardware simply isn't true. The brain is a complex organ that's evolved many built-in areas of specialization - spatial skills, verbal areas, facial recognition areas, etc., and as noted above, a lizard's innate ability to nail its prey with its tongue from a distance. Some aspects of these skills are likely helpful in table tennis. Just as there are variations in the rest of the body, there are variations in these areas of the brain because of the variations in the DNA. Why would people be born with so many variations in their bodies, but identical brains? They are both created from varying DNA, and so have varied development of the specialized parts of the brain. (Even Matthew Syed in his book "Bounce" didn't conclude there was no such thing as talent - he simply minimized its importance.) 

Tip of the Week

Moving Players In and Out.

Topspin

I'm often amazed at how the world of table tennis is divided between two types: those who use the full power of topspin in their games, and those who don't. This doesn't mean looping every ball, but it does mean using topspin to control your offensive shots and often your defensive ones as well. Even when doing simple forehands or backhands a little topspin goes a long way. I know; I sometimes hit the ball too flat and pay the price.

It's actually very simple. Topspin pulls the ball down. This means balls that would go off the end instead curve down and hit the table. It's like having an additional couple of feet of table to aim for. The best way of demonstrating it is to drop a ball near the end line, and hit it as it reaches table level. Try smashing flat, and watch it go off. Then smash with a little topspin, and watch as it occasionally hits the far side, but only barely. Then loop kill it, and watch how it often hits the table with two feet to spare. (Of course, you have to be able to do these shots at a relatively high level to do the above - but if you can't, then get some top player to demonstrate, or just trust me.)

When attacking, you don't have the entire 4.5 feet of the far side of the table to aim for. On many shots, if you don't use topspin, you might only have the last few inches to aim for. With topspin, the size of your target goes up tremendously.

And we haven't even gotten into how topspin makes it easier to return hard-hit balls (again, larger target), or how the topspin jumps both on the table and off the opponent's racket, making it harder for them to make good returns. There's a place for all types of spin in table tennis, but from the intermediate to the advanced levels, topspin is king.

Developing a smash

At the highest levels, many top players don't even bother to smash - even if the ball is eye-level high, they loop. However, for most players, a smash is a must. Here are some keys to developing a good smash, forehand or backhand.

First, get some coaching or watch the top players. Here's a tutorial from PingSkills (3:58) on the forehand smash, and here's Tahl Leibovitz demonstrating the backhand smash (1:35). It's still best to work with a coach who can figure out and fix any flaws in your technique.

Second, practice. Here are two of the best smashing drills.