The Point's Not Over Until It's Over!

Last night, one of my students, 12-year-old Matt, told me about an interesting point he had in our Tuesday night league. The opponent was attacking, and Matt had been forced off the table fishing. The opponent's smash hit the net and dropped down in front of Matt, seemingly unreturnable. Matt scooped the ball up almost off the floor and made a sidespin return - but the opponent was off to the side of the table, thinking the point was over, and so couldn't react. So Matt won the point, and went on to win his division in the league that night. (After just 14 months of play, his league rating is now almost 1700.)

This type of thing happens all the time. Over the years I've played many dozens of points where my opponent thought the point was over, and so wasn't ready when I'd make a last-minute lunging return. (Alas, it's happened to me a few times as well.) Players often way under-estimate how fast a player can cover the wide corners. (This is one reason why choppers often do well - opponents keep going to the "open" corners instead of attacking the vulnerable middle.) And in our practice games after our session was over, I had at least one point where I blocked a "winner" to Matt's wide forehand and stood up straight, only to be caught when he somehow ran it down and fished it back, forcing me into an awkward block.

When I coach, it also happens all the time - primarily because of my tendency to volley balls that are off the end to keep the rally going, or even to play balls after they hit the floor. My students are often caught off guard by this, though they soon learn to be ready no matter what. As I often say, "Just because the point is over doesn't mean the point is over."

Classes and Clinics vs. Training

On Monday we had the last session of a ten-week beginning/intermediate class I taught. The twelve players in the class ranged from beginner to about 1500. During those ten weeks we covered pretty much every major aspect of table tennis - forehand and backhand drives, forehand and backhand loops, blocking, smashing, pushing, flipping, ready stance, footwork, grip, serve, receive, equipment, tactics and playing styles, and even chopping and lobbing. And yet many of the players weren't really ready for some of the more advanced things I taught. As I explained to them, there's a difference between a class or clinic, and training sessions or a training camp. 

For the class, I wanted everyone in the class to have a good idea of most of the techniques. They might not be able to do some of the advanced serves I demonstrated, but now that they know what's possible they can systematically practice until, someday, they might be able to do so. The same is true of other "advanced" techniques, such as looping. If I had not shown them these more advanced techniques, they wouldn't even know what's possible, and wouldn't have something to work toward. I even prepared them for various racket surfaces with talks on each of the major ones - short pips, hardbat, antispin, and long pips (with and without sponge).

There's a difference between a class and a clinic as well. A class is something that you do more than once, such as what we did - every Monday from 6:30-8:00 PM for ten weeks. A clinic is more of a one-time thing, where you cover whatever you can in one day, or perhaps a weekend, or even a week. 

The 27 Types of Spin

How many basic types of spin are there when someone serves to you? The simple answer is that, in theory, there are 27. In practice, there are 25. (Before we go farther, here's my article "Everything You Ever Wanted to Know About Spin But Were Afraid to Ask." If you are new to the idea of spin, or don't really know what corkscrewspin is - also known as deviation spin - you might want to read it.) In reality, of course, there are an infinite number of spins, but they can generally be categorized as these 27. In fact, you can narrow this down to three main types of spin - topspin/backspin, sidespin left or right, and corkscrewspin left or right. All spins just varying amounts of these three main types.

You don't really need to worry about identifying these 27 or 25 spins when receiving. When I list 27 different spins, these are only of theoretical and intellectual interest. When reading spin, you don't have to identify which combos of these spins it is. You simply have to read the direction the ball is spinning and how fast it is spinning, and then react to it. That's it.

Tip of the Week

Returning Smashes and Loop Kills.

World Championships

The World Championships finished today, and by today I mean Tokyo time, meaning it's already over. And guess what? It's hard to believe, but once again China came out of NOWHERE to sweep everything . . . again. Okay, that's sarcasm; I figured there was about a 90% chance they'd sweep it all. It would have taken an earthquake to stop them - and there was an earthquake in Tokyo just yesterday, just not enough to stop the unstoppable from being unstoppable.

On the men's side, Germany gave them a good battle in the final, but Ma Long proved to be the Chinese hero. Ma started things off by defeating Timo Boll at 6,9,9. Timo actually led all three games but Ma came back each time. In the second match things got interesting as Dimitrij Ovtcharov upset reigning men's world champion Zhang Jike at 11,8,6. Then Xu Xin dispatched the German #3, Patrick Franziska, at 5,2,8. Then it was Dimitrij against Ma, with the German hoping to find lightning a second time and send things into the fifth and final set - but Ma was way too much, winning at 10,5,2.

Here are videos of the men's matches:

Coaches, Heal Thyself! - and Covering the Wide Forehand

I made an interesting discovery while coaching on Wednesday. Over the last few years I've been having more and more problems covering my wide forehand. In drills or free play, when players go to my wide forehand I simply can't get to them very well. Even when blocking forehands if the ball goes a bit outside the corner - an easy block for me in the past - these days I often don't get to it. At age 54 and with on-and-off again knee problems, this is to be expected. Or is it?

Okay, I'll never move as well as I did in the '80s and '90s, but have I really gotten this slow? Apparently not, as I'll explain. During my peak years one of my big strengths was covering my wide forehand, whether blocking, hitting, or looping. My forehand block has always been better than my backhand block, which is somewhat rare - but I've spent so much time blocking with it with practice partners looping forehands that it became a wall, both in drills and games. But now it's like a big hole over there.

I was doing a drill where my student (about a 1600 player) would serve and loop anywhere. I was getting irritated at myself that he kept getting me with loops to my wide forehand. So I asked him to serve and loop a few to my wide forehand so I could practice my forehand block. The first two times he did this I just waved at the ball as it went by - and that's when I realized I was leaning toward the ball instead of stepping. So I forced myself to step to the next one, and lo and behold, suddenly I was able to cover the shot much more easily. I shadow practiced this basic move a few times, then we went back to the serve and loop anywhere drill. And now I was able to (mostly) cover the wide forehand!

Pips-Out and Other Styles

John Olsen emailed me to point out that two members of the French women's team are shakehanders with short pips on the forehand - Laura Gasnier (age 21, world #144) and Audrey Zarif (age 16, world #148). Here's video of Gasnier - she's the one in the pink shirt. Here's video of Zarif, also wearing pink. I guess pips goes with pink. Is this a sign of this style emerging, perhaps in response to the upcoming plastic balls, which apparently don't spin as well?

Okay, probably not; these players were undoubtedly developing their games long before the announcement that the world was going to non-celluloid balls. And there have always been a sprinkling of shakehanders with short pips on the forehand. In the 1980s and into the 90s Teng Yi was a mainstay on the Chinese National Team (with inverted on the backhand), and Johnny Huang was in the top ten in the world around the late 1990s, with short pips on both sides. Li Jiawei of Singapore was #3 in the world in 2005. And there are a number of others. (Readers, feel free to comment on others below.) So what has happened to this style?

Like most non-looping styles, short pips on the forehand has faced the onslaught of looping reality. The two-winged looping style, and to a lesser degree the one-winged looping style (including chopper/loopers) has pretty much dominated the game for the last decade or more. The reality is this: Why would a coach teach a new player an "inferior" style? And by "inferior," I'm mean a style that might be, say, 1% worse.

Butterfly and My Personal Equipment

Here's some news on the equipment front. First, I'm sponsored by Butterfly again. (They haven't put me up yet in their sponsored list - that'll come later.) I was sponsored by them for something like two decades, but was a casualty of the 2008 financial crisis. I had two great years sponsored by Paddle Palace, but they are moving in a different direction, which freed me to reapply with Butterfly. My club, MDTTC, has been sponsored by Butterfly for many years.

I've used a Butterfly Timo Boll ALC flared blade the last few years. I believe it's the most popular high-end racket right now. I discovered it almost by accident. I was coaching Tong Tong Gong about 3-4 years ago while he was on the USA National Cadet Team (and about to try out to make it again) and sponsored by Butterfly. I needed to warm him up, but my racket was in my bag a distance away, so I borrowed his spare blade. After I hit one ball my eyes shot up - it just felt right. Tong Tong later made the National Cadet team for a second straight year, and as a reward for my coaching him at the Trials they gave me his spare racket, which I'd come to really like. (Butterfly had given him a new backup.) I've been using that blade ever since. You can still see where Tong Tong had etched his name into it!

For the last few years I've been using Tenergy 05 FX 2.1 black on my forehand and Roundell 2.1 red on my backhand. Tenergy is the most popular high-end sponge, but it comes in so many types it's hard to keep track - 05, 25, 64, 80, and all in regular and FX, which means a softer version. You can read about each at the Butterfly site.

Shoulder Rotation

One of the most common problems with beginners is they don't rotate their shoulders on the forehand. Several players have this problem in beginning/intermediate class I teach on Monday nights. Even when they learn to rotate the shoulders when hitting forehand to forehand or in multiball they tend to fall back on arm only (i.e. no shoulder rotation) when doing footwork.

The solution I've found is to emphasize the rod-through-the-head coaching technique. When you hit or loop a forehand, imagine a vertical rod going through the top of your head, and rotate around the rod. In reality, the head normally moves a little forward doing the stroke from the back-to-front leg weight transfer, but often very little is needed since most of power comes from torque, as the body rotates in a circle. So for beginners especially it's important for them to focus on this idea of rotating their shoulders around this rod through their head. This gives them the right feel of the shot, and something to focus on to fix the shoulder rotation problem - and when they do footwork drills, it tends to stick with them and they continue to rotate the shoulders properly.

If you watch most world-class players, you'll find that much of the secret to their ability to produce great power and recover almost instantly for the next shot is this idea of rotating in a circle, so they end up balanced and ready for the next shot. The head does move forward or sideways some (and often up), and does so even more when rushed after stepping around the backhand corner to play forehand, but in general most of the movement is circular, creating torque while staying balanced. (Two keys to balance: keep weight between your feet, and use your non-playing arm as a counter-balance to your playing arm.)

Tip of the Week

Develop the Fundamentals: Strokes & Footwork.

The Six-Inch Toss Rule

I had a question on the six-inch toss rule, so I decided to submit it to USATT's Stump the Ump, where umpire questions are answered by Paul Kovac, an international umpire and certified referee. (He's also a regular at my club, MDTTC, and referees the MDTTC tournaments.) The question was seemingly simple, but as you'll see, may not be as obvious as you'd think. Here's my question:  

Here’s a question that keeps coming up, and I’d like to see an online answer that we can refer to. When serving, does the ball have to go six inches up from the exact point where it leaves the hand, or does it actually require six inches of clearance between the hand and the ball? I thought I knew the answer to this, but when I asked six umpires/referees for their ruling at the Nationals, three said the first, three said the latter.

Here is the answer Paul gave, which is now published at Stump the Ump.

This should not be a topic for discussion because the rule is very clear about it:

2.6.2 The server shall then project the ball near vertically upwards, without imparting spin, so that it rises at least 16cm (6") after leaving the palm of the free hand and then falls without touching anything before being struck.

The important part is:

"...so that it rises at least 16cm (6") after leaving the palm...."

Fan Zhendong vs. Cho Eonrae

Here's a great video (14:32, with time between points removed) between China's Fan Zhendong (world #3) and South Korea's Cho Eonrae (world #20) in the 8ths of the Qatar Open on Feb. 18-23. Spoiler Alert! Cho wins deuce in the seventh, -12,10,7,7,-9,-8,10. Here is my analysis of the first five points. Fan is in red, Cho in black. Not all points are shown; for example, the second point shown is actually at 3-1. (FH = forehand, BH = backhand. Alas, the direct links to the start of the points make you go through the short ad at the start each time.)

POINT 1: Fan does reverse pendulum sidespin serve short to FH. Cho comes in with FH as if receiving down the line, freezing Fan (who has to cover for the down-the-line shot), and then drops it short the other way, to Fan's FH. Fan steps in, threatening to go very wide to Cho's FH, instead flips down the line to Cho's BH.  Since Fan is leading over table, Cho attacks very wide to Fan's BH. Fan has to move quickly, and does a safe backhand topspin to Cho's wide BH. Cho spins off bounce to Fan's wide BH. Both players are trying to avoid the other's FH, and since these aren't highly aggressive shots, they are going wide to the BH rather than the middle, where many attacks go. After his previous backhand loop, Fan is moving back to ready position and is caught slightly when Cho goes right back to the wide backhand. As Fan moves to do an awkward backhand loop, Cho steps around to counterloop with his FH, but Fan BH loops off. Point to Cho.